Showing posts with label 1961. Show all posts
Showing posts with label 1961. Show all posts

Friday, 4 August 2017

France 1961 - Aristide Maillol

A master tapestry designer, painter, and sculptor, Aristide Maillol was a man of many talents. Born 8 December 1861 in Banyuls-sur-Mer, Roussillon, France, Malliol apparently aspired from a young age to be a painter. In 1881 at the age of 20 he moved to Paris to study at the École des Beaux-Arts. Unfortunately things didn't work out as well as he had hoped. He applied to the art school several times and received rejection after rejection. By the time the school finally did accept his application in 1885, Malliol had been living for some time in poverty. I've been unable to find anything about he his studies went, but it would probably not be a stretch to say he did very well.

Mallol's early paintings were heavily influenced by contemporary greats Pierre Puvis de Chavannes and Paul Gauguin. In fact, Gauguin took an interest in Malliol's work, particularly his decorative art. Gauguin was so impressed that he encouraged Malliol in this direction, which led him to try his hand at tapestry design. Malliol excelled in this art form, and even opened his own tapestry workshop. Malliol gained critical acclaim for the work produced in his workshop. His work sparked a new wave of interest for tapestry design in France. 

But Malliol was keen to broaden his artistic horizons by experimenting in other mediums. In 1895 he began making sculptures in terracotta. Within a few short years Malliol was totally hooked on the art of sculpture. So much so that he completely abandoned his work with tapestry art. Indeed, Malliol is now probably most remembered by his beautiful sculptures celebrating the nude female form. One such sculpture was titled Woman aka The Mediterranean circa 1905. 


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On 20 February 1961 France issued a stamp celebrating the work of Aristide Malliol. The stamp was issued just under one hundred years after his birth. It was designed and engraved by Albert Decaris. The subject of the stamp was the statue The Mediterranean as mentioned above.



I find this piece of work fascinating. It is the work of one artist, Albert Decaris, utilising his own artistic style to replicate a famous sculpture. I know what your probably saying: stamp engravers have reproduced thousands of pieces of art! That is very true. But within this stamp in particular I can discern the caricature-like style of Decaris blended with the unique talents of Malliol. An impressive piece of stamp art indeed!

Until next time... 


Wednesday, 17 May 2017

Monaco 1961 - Vintage Cars

Men in their driving coats, stout gloves, caps with goggles, and crisp, white scarves. Women in their fur-lined coats and jaunty hats. Shiny automobiles, their brass fittings gleaming in the sun, their gas lamps primed, the spoked wheels and leather seats polished. This was the dawn of the age of the automobile. A golden age of beautifully constructed machines. Rolling works of art.

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On 13 June 1961 Monaco issued a charming set of 14 stamps celebrating the beauty of the antique automobile. Two of the stamps in this set were engraved by Pierre Gandon. The 10c and 30c values. These two stamps will be the focus of this blog.

The 10c value depicts an 1899 Panard-Levassor. The AL model.


The company known as Panhard et Levassor, was a French car manufacturer, established by René Panhard and Émile Levassor in 1887. They sold their first automobile in 1890, a vehicle based on a Daimler design. For more on the evolution of the Panard Motor Company, click HERE.

By 1891 they began incorporating their own features to the vehicles. In fact, their designs set the groundwork for many modern standards. They were the first to incorporate a clutch pedal to operate a chain-driven gearbox. Their deign was also the first to feature a front-mounted radiator. It is also believed that the 1895 Panhard et Levassor included the first modern transmission. And if this ere not enough technical innovation. The automobile Panhard et Levassor entered into the 1894 Paris–Rouen Rally came equipped with a steering wheel, This is believed to be one of the earliest uses of this apparatus. 

A French Magazine, dated 6 Aug 1894, advertising the Paris-Rouen race...

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The 30c value depicts a 1901 FN Herstal.



The Fabrique Nationale d'Herstal (National Factory of Herstal), is a firearms manufacturer, located in Herstal, Belgium. The company is usually identified by the name: FN Herstal, or simply FN. The company was originally established in 1889 to manufacture 150,000 Mauser Model 89 rifles ordered by the Belgian Government. In 1899 FN Herstal also began manufacturing automobiles.

The very first FN automobile was in the style of the horse-drawn dog cart, which was commonly used by sport shooters. It had a twin-cylinder engine with a chain-drive, and a two-speed gearbox. The company continued to sell this style of automobile through to 1906. By 1939 the company stopped making automobiles.

Until next time...


Sunday, 26 March 2017

TAAF 1961 - Jean-Baptiste Charcot

It's official. I now have every single stamp Pierre Gandon engraved for French Southern and Antarctic Territories or Terres australes et antarctiques françaises, shortened to TAAF. Sounds pretty great! Well, perhaps it would if Gandon had engraved more than one stamp for TAAF. That's right. He engraved one stamp, and I now have it. Ergo, I have the full set! Anyway, that's enough being silly. Let's get down to business.

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Jean-Baptiste Charcot was born 15 July 1867 in Neuilly-sur-Seine. Charcot, like his father Jean-Martin Charcot, was a French medical doctor. He was also a scientist with a passion for polar science. He was also n excellent sailor, having won two sailing Gold Medals for France in the 1900 Olympics.

In 1904 these two passions combined when he was given the amazing opportunity to lead a French Antarctic Expedition to explore the west coast of Graham Land. This expedition, on the ship Français, lasted for three years, ending in 1907. During this expedition, Charcot visited the Palmer Archipelago and the Loubet Coast. He took photos at both places, giving the world a glimpse into the wondrous world of Antarctica. I, for one, have always dreamed of seeing Antarctica in person, so I can only imagine the thrill it must have been for these explorers visiting somewhere so remote and so difficult to reach - even now it isn't that easy to do (except if you have lots of money)!

One expedition was definitely not enough for Jean-Baptiste Charcot. In 1908 he led another two year expedition to Antarctica. This time he travelled in a ship, which, what I think, had a really cool name. It was called Pourquoi-Pas? In English this means Why not? Love it! Anyway, back to the expedition. This time round Charcot explored the Bellingshausen Sea and the Amundsen Sea. In the process he discovered Loubet Land, and Marguerite Bay. He also discovered a third island, which he named Charcot Island, after his father, Jean-Martin Charcot.

Charcot went on to explore areas around Greenland in Pourquoi-Pas?. Tragically the ship was wrecked off the coast of Iceland in 1936 in a severe storm. Charcot was never seen again. After the disaster a monument was erected in honour of Charcot in Reykjavík, Iceland by sculptor Einar Jónsson.

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On 19 December 1961 a stamp was issued for TAAF commemorating the 25th anniversary of the death of Jean-Baptiste Charcot. This stamp was designed and engraved by Pierre Gandon.


This fabulous design features Charcot in the foreground, gazing toward the horizon, to new adventures. And yet there is a sadness in his eyes, too. Perhaps a reflection of adventures unfulfilled. To Charcot's left we see a compass suggesting his explorations to the south and the north. The icy shores of Antarctica lay in the background. And lying at anchor is the ship PourquoiPas? perhaps. In all, this is an elegant design.

Until next time...

Friday, 5 February 2016

Monaco 1961 - Sphinx at Wadi es-Sebua

Wadi es-Sebua is the site of two Egyptian New Kingdom temple complexes. The first temple was built by the Pharaoh, Amenhotep III, who ruled Egypt from 1386 to 1349 BC.

Amenhotep III from a colossal granite statue

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The second temple was constructed by Ramesses II. Ramesses II is perhaps the most famous Egyptian  Pharaoh - behind Tutankamen, I guess. He reigned from 1279 to 1213 BC, an unprecedented 66 years! His activities while Pharaoh are great and many. Click HERE for more on the "Great Ancestor".

Ramesses II at Luxor

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This complex of temples is also known as the Valley of the Lions, so named after the sphinx lined path leading to the temples. Below is a sphinx of Ramesses II at Wadi es-Sebua...

By http://www.flickr.com/photos/22490717@N02/ (Mr. Dennis G. Jarvis) - http://www.flickr.com/photos/22490717@N02/2217436740/in/set-72157603786884730/, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=4851082
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The construction of the Aswan dam project threatened to flood the site of the temples, thus destroying these amazing monuments. The project, commonly referred to as the Aswan Dam, is actually the construction of the Aswan High Dam. The original Aswan Dam was built between 1898-1902. The Aswan High Dam, built between 1960 and 1970 had a significant effect on Egypt, one part being its monuments in the Nubian regions. The reservoir for the dam, called Lake Nasser, would flood many important ancient monuments if a solution were not found.

It is at this point in the story we can introduce the stamp issued by Monaco on 3 June 1961. It was issued to help gain publicity for the protection of these temples.


This stamp, engraved by Albert Decaris, showcases the need for the protection of monuments lest, as the image depicts, the monuments get drowned in flood waters. 

Thankfully, it was decided to move certain important monuments, these temples being two such monuments along with others such as Ramesses II's temple at Abu Simbel. Wadi es-Sebua was dismantled in 1964 and moved 4km west of its original location. The monuments avoided the disastrous outcome as depicted on the stamp! Incidentally, the temple at Abu Simbel was relocated in 1968. Now monuments such as these can continue to be enjoyed for many generations to come.

Until next time...

Stay Decaris Crazy!